Abstract:
In this article, the author examines the
traditional art of the Kazakhs, which does not operate
with thematic categories, and is filled with specific
and vivid content. We are talking about the universal
laws of the external world that are accessible to the
perception of each viewer, which are formulated by
folk art. A feature of the animal style in modern
Kazakh art is the fusion of its components -
movement and statics, the unity of nomadic and
sedentary life, where the following originality of
movement, renewal is manifested. The article reveals
that the «animal style» was widespread among the
nomads. The animal style used by the Sakas was
influenced by the southern traditions that the Sakas
met during their campaigns in Asia and Iran.
