Abstract:
In the modern English-language literary space the genre of short prose, based on the
plots of classical fairy tales and addressed primarily to an adult audience, is extremely
popular. Over half a century already, this genre has emerged as a separate discourse
(in this article, the authors call it a “Reimagined Fairy Tale,” considering the memory of
the genre). Such modificated fairy tale is simultaniously the result of the postmodern
world perception (intertextuality, playfulness, gamification, multilevel text, irony,
etc.) and a critical thought (deconstruction, denial of logocentrism), and represents
an extensive material for research both from the point of view of literary criticism
and from interdisciplinary positions. Using the example of the modern literary tale by
R. Shirman “Hunger,” which is based on the folk story about Hansel and Gretel, the
authors attempt to trace how the multilevel coding of the text takes place using the
transformation of Jungian archetypes and deconstruction of binary oppositions that
underlie them on the one hand, and literary and religious reminiscences, and allusions
on the other. The authors trace how the text passes into the category of open ones and
allows the reader to choose himself which of the meanings of the tale is closer to him.
According to the authors, this methodology is applicable to all texts of a given genre
and can be productive as a way of reading, and also useful for clarifying the genre
features of a modern fairy tale-modification.
